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Many of the families represented in Hannahs album arrived early in the history of the United States, some in the 1600s, and more than one of the women pictured here was born immediately after the American Revolution. Some of these people traveled amazing distances in migrations that fanned west- and southward, and at least one got himself all the way from New York to California and back! The accompanying map marks a few of the localities most often referred to in the text. (Click map to enlarge) There are 38 portraits in the album, small photographs mounted on card stock 2 1/2 inches wide by 4 inches long. According to the Antiques Roadshow1 website small pictures, called cartes de-visite or CDVs were a rage that began in Great Britain in 1859 and quickly spread to the United States. The conferring of these visiting cards with photographic portraits on them coincided with the American Civil War. Because millions of these CDVs were made and given, there exist today an astonishing number of portraits of Civil War participants. The backs of the photos in Hannah Rich Peters album are almost as interesting as the fronts. Here you will find information in Hannah's hand, as well as photographers trademarks and an occasional date or tax stamp. In one case it was possible to identify three unknown people from these trademarks and stamps. An unidentified man, woman, and little boy went to the same photographer in New York City on the same day, the date indicated in the tax stamps as September 6, 1865. What were the odds (Hannah Rich Peters great granddaughter, who provided these pictures, reasoned) that three unrelated people would have taken an unrelated child in this case known to be Belle Leonard with them? It seemed more likely they were all members of the Leonard family. It is also conceivable that the subjects of Hannahs photograph album did not make the trek all the way to Broadway or other points to have their pictures taken. Because the average person did not own a camera, traveling photographers with studio-wagons were common. As Diane VanSkiver Gagel explains in her article Historic Photography: Identification and Preservation from Ancestry Magazine2, a photographer might stay in one location for a month or more and photograph buildings and scenery in addition to people. Such a photographer brought his darkroom, backdrops, and propschairs, balustrades, and potted plants with him and set up his paraphernalia in a large room, preferably with a skylight. Mathew Brady, of course, took many cameras and assistants into the field with him and was responsible for thousands of arresting Civil War pictures for which he became famous. As to Hannah Rich Peters photograph album itself, it is brown tooled leather with brass fittings front and back, and measures 2 inches thick, 5 inches wide, and 5 3/4 inches high. There are nineteen pages of an ingenious design that permits the albums owner to insert 2 pictures inside each page by slipping them through the slot at the bottom. The edges of the pages are gilt. (Click photo to the left to enlarge) While the pictures in Hannah Rich Peters' album are being presented in alphabetical order, in fact the pages in the book were found in a different order, with Stephen Rich Struthers picture first, firmly secured in the book. Several pages were loose and had at some time been fitted into empty spots; husbands and their wives were not necessarily in the same page or facing each other. (Click album to the left for enlarged view) |
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| The page numbers here refer to each cardboard frame with the front of the frame containing one picture, the back another. The pictures, then, were arranged this way: | |||
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